Is the labeling of street photography as a distinct genre potentially causing more harm than benefit?

In the realm of photography, the genre of street photography has been a subject of both admiration and debate. Originating from capturing life on city streets without the explicit label, some of the most revered works in this field were created before the genre was even named.

Henri Cartier-Bresson, Gordon Parks, Robert Frank, and Diane Arbus are just a few examples of photographers who did not label their work as street photography. Their images, which often stepped outside the boundaries of the genre, offered a unique glimpse into the friction, absurdity, and beauty of lived experiences.

However, the term 'street photography' was eventually coined, giving legitimacy to the genre and allowing for teaching, selling, and curation. This naming process, while making it easier to talk about, also made it easier to imitate, repeat, and potentially dilute the genre.

Fast-forward to the digital age, and platforms like Instagram have accelerated the problem. The endless scroll of repetitive street photographs can often overshadow the unique and striking images that once defined the genre. Quantity, in this case, outpaces quality.

Amidst this sea of repetition, the work of photographers like Kalum Carter stands out. With over a decade of experience in visual storytelling, Carter's focus is on photography books, curation, and photo editing. His work highlights the power of visual storytelling, fostering an appreciation for the impact of photography.

Carter writes about photography and filmmaking, interviewing industry professionals, showcasing emerging talent, and offering in-depth analyses of the art form. His perspective is a breath of fresh air in a world where street photography seems to have become more about repetition and proving one's belonging to the category, rather than discovery and seeing the world.

Photography at its best thrives in freedom and unruly openness. Perhaps, then, less 'street photography' and more photographs of life might be desirable. After all, it's been a while for most people since they last saw a genuinely striking photograph taken from the street.

For those interested in delving deeper into the world of street photography, there are guides available on the best camera for street photography and the best books on street photography. These resources can provide valuable insights and inspiration for those seeking to push the boundaries of this genre and create their own unique visual narratives.

Is the labeling of street photography as a distinct genre potentially causing more harm than benefit?