"Nifemi Marcus-Bello reflects on the increasing questions raised by his creative output"

Nifemi Marcus-Bello, a renowned Nigerian designer, has been making waves in the global design scene with his unique approach to design and his deep connection to the local communities and production networks in Nigeria.

In 2017, Marcus-Bello established his eponymous studio in Lagos, Nigeria, a city that has played a significant role in shaping his design philosophy. The city, known for its adaptability, resourcefulness, and innovation, teaches the importance of working with constraints and thinking on one's feet.

Marcus-Bello's designs engage with overlooked production networks and everyday making cultures in Nigeria, often involving deep engagement with local communities and production networks, particularly in sourcing and repurposing materials. His latest works, such as those featured in his current exhibition 'Oríkì (Act III): Whispers of a Trail' at Marta, Los Angeles, use recycled copper due to challenges in sourcing raw copper.

The series delves into the politics of copper extraction, refinement, and procurement, continuing his exploration of storytelling through functional sculpture. The pieces are inspired by objects that reflect Africa's nomadic cultures, challenging Western-centric narratives and championing a locally rooted, community-driven approach.

Marcus-Bello's work has observed a shift in the African design landscape, with young designers embracing their own narratives, drawing from local materials, traditions, and techniques while pushing boundaries with contemporary approaches. There's a stronger sense of ownership and pride in the African design identity, and with the rise of digital platforms and global conversations, the work coming from the continent is reaching wider audiences.

In 'Oríkì (Act III): Whispers of a Trail', Marcus-Bello sees Lagos' design language as raw, adaptive, and deeply intuitive, distinct from formal Western structures. He sees the city as a trailblazer in sustainable design and circular economies, long before they became industry buzzwords.

Marcus-Bello's connection to Lagos' maker culture began early in his life, and he sees himself as an integral part of the city's design ecosystem. His studio's next project is not publicly announced yet, but with his commitment to local communities and sustainable practices, it is sure to be an exciting addition to his body of work.

As Marcus-Bello's latest exhibition runs until 5 April at Marta, Los Angeles, it serves as a testament to his dedication to exploring and celebrating the rich design heritage of Nigeria and Africa as a whole.