Removement of Sculpture "Big Clay" in Moscow

In a change of scenery, the 12-meter aluminum sculpture known as "Big Clay No4" has been removed from its location on Bolotny Island in Moscow, following a four-year stay. The sculpture, created by renowned British artist Henry Moore in 2014, was initially installed for the opening of the Cultural Center of the Central Electric Station of Moscow's urban railway, later known as "GES-2".

Prior to its exhibit in Florence, Italy, on Piazza della Signoria in 2017, "Big Clay No4" was displayed in Manhattan, New York, for two years. Initially, city authorities announced that the sculpture would be dismantled after nine months. However, due to public interest and debate, it remained in place for four years.

The sculpture, which represents several giant clay lumps, kneaded by the sculptor's hands, elicited mixed reactions from the public and criticism among Muscovites. A petition was initiated demanding the removal of the monument in Moscow. Despite this, "Big Clay No4" became a landmark on the Moscow skyline.

Henry Moore, the artist behind the sculpture, stated that he did not aim to create something either ugly or beautiful, but rather made the sculpture because "he wanted to". The pieces of clay are first molded by the artist, and then giant replicas are created in aluminum for the "Big Clay" series.

The change of artwork is part of a planned rotation of art pieces in the urban environment. Preparations for the installation of a new exhibit have already begun, marking a new chapter for the urban landscape of GES-2. RIA Novosti reported that a construction crane was working on the embankment, hinting at the arrival of a new art installation.

As "Big Clay No4" departs from Moscow, it leaves behind a legacy of conversation and debate, demonstrating the power of art to engage and challenge its audience. The sculpture's journey continues, and it will be interesting to see where it lands next.