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Techno music pioneer Richie Hawtin creates a cinematic piece, reminiscent of Detroit's '90s underground techno movement.

Illegally organized raves spearheaded by techno pioneer Hawtin took place at the abandoned Packard Plant in the city, with the notorious Plastikman alias making its first appearance at one of these events.

"Documentary on '90s Detroit techno culture created by Richie Hawtin"
"Documentary on '90s Detroit techno culture created by Richie Hawtin"

Techno music pioneer Richie Hawtin creates a cinematic piece, reminiscent of Detroit's '90s underground techno movement.

In the heart of the early '90s, the Detroit techno scene was pulsating with life, and now, you can experience it too. The film "Kids Like Us," directed by Michigan-based filmmaker Luke Jaden, is now available to watch via NOWNESS or YouTube.

Produced by Richie Hawtin and Luke Jaden, this captivating documentary delves into the vibrant world of Detroit techno, a scene that shaped Hawtin's legendary career. The film was shot at a real-life techno event in Detroit, with a narrative constructed from archival material and personal interviews with former ravers.

One of the most significant events featured in the film was the Spastik party, where Hawtin debuted his Plastikman alias in 1994. Attendees at this historic event included The Blessed Madonna and Mute Records' Daniel Miller.

"Kids Like Us" reflects an honest and engaging narrative of what had transpired in the early '90s Detroit electronic music scene. Luke Jaden, the filmmaker, has expressed deep inspiration for the early '90s underground techno culture in Detroit. He focused on deep archaeological style research to expose the lore's smallest details and the emotions of those times that still lingered in the participants.

The film is set against the backdrop of Hawtin's formative experiences in the city's underground techno culture. It explores themes of "identity, dislocation, and connection," as Hawtin discusses pivotal moments of his career and events that touched countless individuals' lives.

To make the film feel as real and authentic as possible, it was shot on 35mm film. This decision lends an air of authenticity, making viewers feel as if they are right there in the midst of an actual techno party experience.

In the past, Hawtin was interviewed about the making of Plastikman's Sheet One, which can be read here. Recently, Hawtin has reissued the seminal minimal techno project Musik, originally released under the Plastikman alias, in recognition of its 30th anniversary.

"Kids Like Us" is more than just a film; it's a testament to a time when music, freedom, and community intertwined in a unique and powerful way. If you're a fan of techno, history, or simply great storytelling, this documentary is not to be missed.

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